MOMENTUM FACTORY ORII
Ichirin Copper Alloy Vase
Ichirin Copper Alloy Vase
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Did you know about the Japanese tradition of 'Ikebana', where a single flower is displayed in a vase?
The culture of appreciating a single flower in a vase is said to have originated as early as the Heian period (794−1185). Renowned tea master Sen no Rikyū admired the simplicity of 'Ikebana' as a 'purified symbol of beauty' by eliminating the unnecessary. Enhance the beauty of your space with refined 'wabi-sabi' aesthetics! Explore the art of 'Ikebana' and add a touch of sophistication to your surroundings.
This product comes in a wooden box. It is perfect for a gift for your loved ones.
Details
Size: D 4.2cm x H 26cm
Weight: 450g
Material: Brass, Bronze
Artisan
Momentum Factory Orii is a metal colouring expert, using the traditional technique of Takaoka copperware (you may be familiar from a giant copper Buddha statue) to oxidise the surface of copper and brass into beautiful vibrant colours. Since their establishment in 1950, their company has maintained a tradition of crafting works using traditional Takaoka copperware techniques in Takaoka, Toyama prefecture. Their pieces, which seamlessly blend nostalgic with modernity, evoking the timeless beauty of Japanese 'wabi-sabi' aesthetic.
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ABOUT THE MAKER
Momentum Factory Orii | 折井着色所 | Takaoka, Toyama Prefecture
Rooted in the 400-year tradition of Takaoka copperware, Momentum Factory Orii continues the rare craft of colouring metal by drawing colour from copper itself through heat, chemistry, and time. You may be familiar from a giant copper Buddha statue) to oxidise the surface of copper and brass into beautiful vibrant colours.
Since their establishment in 1950, their company has maintained a tradition of crafting works using traditional Takaoka copperware techniques in Takaoka, Toyama Prefecture. Their pieces, which seamlessly blend nostalgic with modernity, evoking the timeless beauty of Japanese 'wabi-sabi' aesthetic.
Led by current generation Koji Orii, the workshop works with ultra-thin copper sheets, pushing a technique once reserved for cast objects into a contemporary context. Each surface is developed through controlled oxidation, where no two finishes can be exactly repeated.